By adding a spatial dimension to photography’s representation, in his exhibition 'Important Things, Approximately Right' at Fotogalleriet's Nordic Anthology project space, Poulsen invites the audience to participate in the exploration of a simulation: a study of the art gallery as seen by sophisticated, photogrammetric software – a lonely journey into a virtual reality of sub-pixels, jpg-textures and melted digital walls in which the artwork becomes a space for exhibiting the gallery.