It is often said Norway is a consensus country, with a consensus culture where people seem to want to agree more than disagreeing. What challenges do these agreements evoke to artists? Do we face boundaries that lead to self-censorship to keep ourselves loyal to these agreements? Are we critical about them or do we benefit from them?

Program:
KCAC open 16 – 01

Soup served at 18:00

Exhibition opens 19:00

Open Forum talk at 20:00