Before GPS we still went around with paper maps looking for points of reference in the urban scene, and we stumbled into things we had never looked for. Benjamin Bardinet is worried that some of the magic of art in public space is lost when everyone can map the city in advance using GPS. Bardinet’s contribution to the biennial is, therefore, a map in two versions, in which we can get lost in quotations, facts and rumours related to the projects in the biennial.