Anders Sunna’s public artwork in Rosenkrantz’ gate 14 deals with the experience of not being heard. Here, Sunna poses difficult and uncomfortable questions. The Storting is turned upside down and a poison-like green colour seeps out from the Swedish Riksdag. A group of Sami people in balaclavas gazes out of the picture. Moreover, the location of the artwork – between the Storting and Oslo Town Hall – demarcates a space for discussions on national identity, place, and belonging.